Engineer-architect by training (UCL Bartlett), design technologist by trade, sound-obsessed by nature. At Atelier One I write the parametric pipelines and custom tools that turn geometry no one knows how to price into buildings that get built. Carbon, cost and fabrication in the model from the first sketch. And when I’m not scripting facades, I’m usually building something you can play. A pavilion that answers your touch, a drum machine made of rain.
The day job. Computational systems that carry ideas all the way to fabrication.

200+ unique stone panels, 100% first-time-right fabrication. One parametric source of truth.

Maya Lin’s Oculus. Sculpted stone at civic scale, with Atelier One.

A touring 360° concert architecture. 3-day build, 6,000 capacity, designed for reuse.

Embodied carbon as a concept-stage design driver. IStructE Supreme Award winner.

Custom tools that turned unbuildable freeform geometry into a costable, buildable model.

An adaptive civic infrastructure pitch, from system logic to filmed vision in three days.
The thread I can’t put down. Instruments, installations and rooms that listen.

A real-time interactive acoustic pavilion, built and exhibited at Dulwich Picture Gallery.

An immersive spatial sound installation on noise pollution. Audio Canvas winner, Crypt Gallery.

An instrument that turns the chaos of rain into measurable, playable sound.

End-to-end design and delivery of a private loft conversion, choreographed around calm.
Detours worth taking. Competitions, curation, paint and half-finished experiments.

Plywood and bamboo furniture, designed, cut and built by hand.

The forest as our orchestra.

A bamboo playground for collective making.

Art exhibition with Fynn Studio.

Values-based feedback for workplace culture.

Fragments of emotion, left to interpret.

Ambient sketches, interludes and jams.
Where the questions started. The Bartlett, UCL.